Make Sure People Can Google You

            My guy, you’ve just put a piece of yourself, bare, in front of the whole world. People need to be able to find you now. Some of the people want to be your friend, some of the people think you’re cool and want to silently watch your progress, some liked the one book of yours, and wanna see about getting more, some are even small town librarians, trying to invite every author in the state of Wyoming, to an event. *Ehem*

            So I’m going to split this post in two. The point of view of someone who works in book world, and the point of view of someone who reads.

            We’ll start with book world. I feel like it’s more straightforward. If I can’t find you on Google, I don’t really want to work with you. Simple as that. And I don’t mean that in a snobby way. I mean, I cannot find you to contact you. I don’t have time to rent a mule and trek up to your house. Look, I totally get it if you wanna live that J.D. Salinger life. Just vibe out in your hard to reach cabin in the mountains, and refuse to do interviews with the press. Buuuut you’re not going to get far in your career. These days, the modern author needs to invite the world into their office, make Tik Tok videos, and send thank you notes when the newspaper bothers to even look at you. You do need to be accessible, if you want to stay relevant.

            Not only that, but if I’m the one hosting a giant author event, (not my M.O. these days, but you get the gist,) then you need to be able to tell people where to find your books when they get paid again. Are they on Amazon? Only on your website? Your publisher’s website? This proposes a unique challenge to authors who used vanity publishers. The kind of publisher where you buy 1,000 copies of your own book straight from a printing press, and then distribute them as you see fit. That’s a great option if you want to share, say, family recipes, and/or family history! My great grandmother did it with her auto-biography! It’s not going to go great if you want to share a fantasy novel with the world. By the way, if some snob tells you that that’s not “real published” smack them with your paperback. That wasn’t real assault!

            Anyway, when you’re not using your books as weapons, where do you keep the mother cache? Can people access it without contacting you first? Some folks feel weird about that. Sincerely, publishing houses shouldn’t be doing the lion’s share of your of your advertising. Whether it’s traditional, self publishing, hybrid. That’s you. They need to do some of the advertising. Especially since with a traditional house, you’re getting, like 20% royalties, best case scenario! But it’s not right for you to lay back and wait for money to come either. It’s a partnership.

            So secondly, as a reader: When I find your book in a trade-cache (like a Little Free Library) and it rips out my still beating heart, while I’m tipsy, after dinner, I wanna go nose around in everything else you’ve put out there! And let’s be honest, I will absolutely wine and prime books, especially if I’m still crying from reading the first one you wrote. Take advantage of stupid heads like me! Stupid heads like me want taken advantage of! Now if I have to email you for copies, even if they are free, because that’s what you want to give to the world, Immuna feel weird about it. What if I don’t like your work as much when I’m sober? What if you had a sophomore slump? Now you know where to find me, and you know I probably read your book. Feels weird, fam. Legit, Goodreads is your friend. Stupid heads like me can say “Wait, I’m mildly intoxicated. Maybe I shouldn’t buy thirty-two books of poetry by one human. I’ll just add it to my TBR, and maybe buy one a month.” I use Goodreads to keep me organized while I read. Even if you did use a janky vanity publisher (because most of them kinda suck for promotion) you can add your books, and yourself to Goodreads. I’ve had to do it with books I didn’t write so I can count them towards my 300 books in a year goal.

            Anyway, this is me telling you to go get out there! Post some pictures to Instagram, click the toggles and send it to Twitter, Facebook, and Tumblr! Tell people about the dumb thing your cat did while he was jealous you were paying more attention to the laptop than him! I.e. Mine made me wear his tail as a mustache. Don’t worry about your social media presence, and hire me to do it for you! Post stupid updates about the book you’re not sure you’re ever going to finish before you freeze to death in one of these spring storms. Show us your wedding photos! People love wedding photos! Find a nice little start-up like Shepherd and put yourself out there even more! Make sure people can Google you!

            So to recap: You need to be out there. At least a little. The more you’re out there, the more your books will be out there. The more your books are out there, the more your career will succeed. Go, fight, win!

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Yes, Virginia. There is research in Fantasy Writing.

            So I work in History Land, rather than Library Land. Wild shift, but there you have it. Because I’m trying to keep up with the people I work with, I wind up doing a lot of reading. I have a goal to read one non-fiction book a week, because I have perfected the art of skimming text, and retaining important information… It will take me a month or more to read a novel. Shuddup.

            Anyway, my coworker and I got on the subject of historians, and then broadened out to non-fiction writers in general who don’t do proper amounts of research, and fill in the gaps with fiction. They are annoying, and sometimes it’s an honest mistake. When it’s not, and someone bends the timeline to fit their narrative, that’s when it really makes my blood boil.

            If you think your ears were burning, then I was ranting about you at work, because not only did you publish inaccurate information, you had the audacity to target one my friends in a public forum. You opened your mouth, and used your influence in your community to do permanent and irreparable damage to their life, and career(s, who has one job anymore?), because you were jealous they’re a better human being than you ever will be, and probably more talented. But hey, how can we find out if they’re too heartbroken to write? Congratulations, you’ve beat someone who wasn’t competing with you, but trying to work by your side. The only reason I haven’t stooped to your level and called you out by name, is because God reminded me I’m a Christian and revenge belongs to Him. Also, yeah. You need to check over your manuscript for the reprint. That’s not how it went down.

            If you think your ears were burning because you did something awkward at that conference, where we were hanging out: Don’t worry about it, fam. I’m awkward too. I get two drinks in me and start taking selfies with people I just met. By the way, did I ever send that to you? Text me. Honestly, mistakes happen. Sometimes we make assumptions without having all the information, and then we have to change because we found new information. It’s chill, man. Just fix it for the reprint.

            Anyway, the Nice Lady in the room, started giggling and asked “Helen, remind me what you write again?”

            “Young adult fantasy, ma’am.”

            “Ah. And in fantasy, I’m sure there’s not much research, because you’re making up everything, right?”

            And unfortunately, I hit her with the “WeLl AcTuAlLy” and not in that tone, on purpose. I just know how I probably sound. And poor Nice Lady got trapped in a conversation about how I am so fricking frustrated with the intricacies of the Gishlan eco-system.  Like I told her, “I don’t want a palm tree, just growing next to a cottonwood.” which, made her giggle, because of course, she’s nice, and was originally gently suggesting, maybe, just maybe, I should be nicer too. But I went on to explain “I had to make sure the soil would support cotton crops, because otherwise, everyone would have to wear leather.” The ecosystem mimics my homeland, Goshen County, with heavy spoonfuls of Oregon and California. Because a fourteen year old started this series for me, and she wrote a beautiful looking place that felt like home. I had family in all three places. Do you know how not impressive a redwood is to a four year old? Everything is big. What’s a big tree? Did you know we have cotton in the Bible Belt because of an iceberg that predated humanity deposited enough PH in the soil when it melted? The other part of the world where cotton grows easily is India. I had to learn that, so I could give us those nice princess dresses we all love so dearly.

            I had to think about where they got wood to build furniture, where their rock quarries were, what kind of stone they had, I had to think about what kind of food they were able to grow, I had to look at the blue prints of multiple castles, to see how I wanted to build Slipsong Castle, which has housed 19 generations of Amethyst’s family, thus far. I just had to log in to an online database to tell you that. I had to build the Gishlan royals their own family tree, to keep them all straight. There is only so much land will support and I have to have approximate knowledge of these things so I don’t break science.

            I didn’t tell the Nice Lady this because it was some sick own. It was just the truth. Yes, I can make up crap as I go along. But I wanna make up good crap, so I choose to research. I think she was actually interested, and curious, when I explained things like “If you have giant mushroom farmers, you need them to have an economy for mushrooms, an ecosystem that will support the mushrooms, a purpose for growing them, and you need to know how mushrooms work or the mycologists will come after you.” We can’t have the mushie farmers gathering their seeds in the fall. (Mushrooms don’t have seeds. They produce spores. So when you have that urge to kick shrooms in the field, it’s because that’s how they spread, and at one point, the instinct to kick the shroom probably kept some of your ancestors alive… Either that or the mushrooms are farming us for our delicious rotting corpses, and they told you to smack their sex organs to further their agenda. Cool right?!) Buy the t-shirt here.

            So this is me telling you to go ahead and lose yourself in your research. Write what you know, but go forth and know more! The libraries, museums, and archives are here to help you do just that… The mushrooms on the other hand…

            No one wants to see your character chase the bad guy through the house with a broadsword, and then get enlisted in the war, and go into battle with a cutlass. (Because I will die if I don’t over explain, everything, to everyone, all of the time: broadswords and claymores are supposed to be used in open spaces. Like fields. Battle fields. Cutlasses are smaller, and easy to maneuver around a confined space. Like your apartment. Which is why I sleep with one.) Guys, I’m telling you, if you’re a fantasy writer, get yourself a blacksmith. Here! Borrow mine! Lonnie is amazing and has spent hours teaching me about steel grades, knife types, general maintenance, and who else knows. I just absorb. One of these days, I will have him forge me a broadsword so I can practice acting out scenes before I put them on paper. Research! The one I have now, the balance is way off, and the pommel obviously isn’t doing anything.

            Even when I was writing silly fanfiction for the The Road to El Dorado meme group, I took my happy self to the library, and asked for books about the Aztecs… In doing so, I found out I should’ve asked for Mayan! Either way, I wound up learning a lot about the culture, and the people. “You can’t write offensive content about a mermaid, because mermaids don’t exist.”–or so an indigenous woman sang to me on Tik Tok, to the tune of ‘Colors of The Wind’. If you have skin, and a culture, and you choose to write characters with different colored skin, and a different culture than yours, I strongly recommend you listen to people with that skin tone, and culture, talk about their experiences. Maybe even hire a sensitivity reader. There are plenty of content creators on social media, that will voice their frustrations with the entertainment industry, talk about their culture, and their experiences as a human with skin, that mushrooms will eventually eat. I don’t recommend you ask these content creators to work for you for free (you do that, you get what you deserve), but I recommend you actually consume their content and learn from it. Although the fic remains unfinished, I’m pretty fricking proud of what I made.

            So yeah, that’s my advice for this month. Find what interests you, pull on a thread, then threaten your kidnappers with fan theories about ‘El Dorado’ and how it ties in to Mayan mythos. Google the domestication of cats, then have your characters ride large ones through your cotton fields! Write about how Alaska doesn’t really grow vegetables, but people still thrive there. Learn how to darn socks, and can fruit. Teach yourself folk magic, so you can borrow it for your wizards. Read old magazines from the 60’s, so you can get a handle on the fashion. Trap your entomologist friend with the sweet allure of coffee so you can try to understand how he’s trying to cure cancer with fly brains. After all, I was just picking my coworker’s brain about herbal remedies for colds, so I could give plants to my imaginary friends! Just go have some fun doing research! It’s still important, and kinda fun. 

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Writer’s Block? Try My One Sentence Method!

Years ago, one of my buddies approached me and asked “What’s a plausible goal for words written in a day? 1,000? 10,000?” She wanted to write a devotional book. (She blogs instead, check her out.)

            “I mean, if that’s what you want. I do one sentence.”

            She was like “Whaaaa?”

            Yeah, straight out. So far I’ve written at least five books, three of which are published, by forcing myself to write one sentence per day.

            And you’re probably thinking, much like my home girl, how in the fresh, Kentucky Fried, Heck did I get by only writing one sentence per day? That’s the real trick. I didn’t. I fooled myself…

            You see, one sentence sounds manageable to your addled brain. You can do that on the train on your way home (aaah, glorious public transit. This is America! Buy a car, you bum!),  you can do that while cooking dinner instead of trying to watch a pot of water boil, you can do that while pooping. You say “I want to write a thousand words” and you’re like “A thousand is a lot! You ever lose $1,000? So many! You ever gain $1,000 unexpectedly? Also so many… I’m too tired for this junk.” You’re not too tired or too busy for one sentence.

            If you saw this Instagram post, well, first of all, here is the promised blog post. Second, you’ll notice that, as I said, I told myself to write one sentence… Then an entire paragraph came tumbling out! Yes, everything in red fell out of my head, and on to the page. That’s what I’m trying to tell you you could have.

            If you stop fricking beating yourself up for not being good enough, and not writing 10,000 words like some highfalutin author who’s already made it. The one that makes so much money off of their series, they can afford to live on their writing, writing will be easier for you. That’s not you, and that’s not me either. Let’s stop beating ourselves up for it. Chances are, we’re gunna be broke blue collars for the rest of our lives. Let’s stop thinking like victims, and start thinking like survivors. Let’s make goals we can manage.

            I believe in you. I know you were writing in that bunker, in quarantine, in that hospital waiting room. You’ve already been here, and you already know what you need to do. Now you just need to break it down in to manageable pieces. Write one sentence a day.

            I know you are probably getting tired of me plugging my Patreon, but this blog relies on donations to stay running. I do not have disposable income right now, to keep it up alone. I think education should be free and accessible to the public, and I really don’t want to hide these posts exclusively behind a pay wall. If you have a little extra, please consider treating yourself to a month long subscription to my Patreon, where you can access tons of poetry, short stories from the vault, and, your favorite, each and every one of these blog posts a week early! If you would like to make a onetime donation, with no subscription benefits, please visit my Ko-Fi.

Writer’s Block isn’t A Writing Problem

            Okay. We’re doing another writer’s block post because it’s happening again! I am full of funny Tik Toks, advertisements, I have energy for editing, I can still make poetry, I’m writing this blog post right now! But the thing of it is, I don’t know where to take the book I’m writing now. Should I just scrap it and start a new one?

            I’m currently writing Book 2 of The Tooth Fairy. Krysathia, her boyfreind, and Marlene all share one brain cell in Yuma. Marlene’s house is haunted. There’s a witch somewhere in there, with a massive garden in the desert. The city can’t pin excessive water usage on her. Marlene gets someone special. All these components, a story does not make.

            The second is a very rough idea. It’s another Gishlan book. There’s a prince. He is the younger brother of the beautiful princess. Where she is dark and beautiful, he is pale and ugly. Where she’s tall and thin, he’s short and fat. Oh, and she’s 3/4 mermaid, while he’s 3/4 human. Genetics! They’re each going to inherit one half of Gishlan. Because no one ever notices him, he goes around playing super hero (vigilante?) until the little dude gets way over his head. I feel like we don’t have enough awkward boys with chub and stutters in literature. I want to make a human human-merman.

            Anyway, I’ve been sitting here like “Huh…” for a few weeks. But you know what? It’s not a writing problem.

            If attacking your writer’s block on the page isn’t working for you, try this advice instead: Fix your day to day life! Figure out how to work smarter at your day job! Eat a whole pie at three in the morning! Wear your favorite dress for absolutely no reason! (Yes, even you people’s who be like “BuT i’M a MaN” Go find your favorite dress!) Go to the movies in furs and diamonds like it’s 1940! Fall in love with a lovely mistake with brown eyes. Bring the brown eyed lovely one of those giant roses from Hobby Lobby! Join an underground art club!… Suddenly leave that underground art club because commitment is terrifying! Get a tattoo to prove you’re not afraid of commitment. Go hiking, and take a bunch of pictures for the Insta of Gram so you can look cool. And ope. Look. A book just fell out of you during your potty break.

            My solution to writer’s block is to start living life out loud. Honestly, I am just busier than a cat on a hot tin roof, and I’m about to make myself late to work trying to finish this blog post, which is also work. ADIOS, MIS AMIGOS!

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Author Requests Privacy but Fans Aren’t Having It…

             Ha! You fell for my click bate! This was a trap to attempt to show you how to set boundaries between your writing career and your personal life. Bamboozled again! I want to show you how to set firm boundaries and keep your private life private. This is something I’ve been asked through the years, and I have two big methods you can apply to various aspects of your life.

            Just say “no”. This is what I did at first. Because I’m a mean and scary cowgirl. “I’m a fan of your work. Can I add you on Snapchat?” “No, but thank you.”, “I literally just met you 10 minutes ago. You wanna go cruising tonight?” “No, thank you.” “I wanna see your family’s ranch.” “No.” You can just do that. You can just say “No”. But politely. “Can I meet your kids?”, “Can I have your discarded tissues?”, “Can I read your WIP?” No, no, no.

            It’s all about misdirection. Completely different than “No.”, you can just have two of everything. Like, a personal social media account, and a business one. You can easily get a PO Box for about $60/yr  so you don’t have to tell everyone where you sleep. I did that because I come from a village of 20, and if someone road tripped, walked into town and said “Where’s Helen?” to one of my neighbors, they’d be like “Oh, she’s up the tree out back. Go on over!” because that’s our culture. Not telling people where I lived cut down on unpleasant confrontations like “Helen, I’ve come to kick you like an old pair of clown shoes.”

            “Say when, you scoundrel.”
            What’re they gunna do? Wait at my PO Box, in the next town over where I went to school, until I show up?

            Anyway, I’ve been doing this more and more. Things like having one social media account for the people who love me and want to know how I’m really doing, and the other I just use to be obnoxious and talk about my career. I don’t really want “I feel like a giant blood blister” to come up when someone Googles me, because I had strong opinions about getting a normal, healthy, period; But I do want all three of my books that are in print to come up instead! The thing I love about this method though, is that it’s helped me stop putting up so many walls between my heart and new friends. We have time to get to know each other, and talk, and actually build a relationship, before we plunge into the depths of my full-lilt crazy… Or you know, garden variety vulnerability.

            Anyway, you’re going to have months like “Two of my close friends died, and while I’m grieving I’m also waiting for the other shoe to drop, because Grandma told me death comes in threes, but now I have to go on tour and act like I’m the happiest person alive… Aaand one of my favorite cousins is on hospice.” Not showing your friends you’re struggling is a crime, because you’re isolating yourself, and cheating yourself out of deeper relationships. Particularly the devalued platonic relationships! But no one wants to break apart in public. So. Two accounts.

  ~*~

            Those are my two methods of, well, keeping people at arm’s length. (Totally healthy!) The biggest thing I think you need to watch as an entertainer, is exactly how much information you put out there. I.e. If you don’t want strangers asking about your cousin’s cancer diagnosis, don’t put it out there. You’re allowed to be a private person.

            Yes, there will always be some vulnerability in writing and putting your work out there. It’s your baby, and it’s going to have a little of you in it. My friend told me she saw straight through Marlene, and saw me ranting about my situation at the time when I wrote about The Tooth Fairy. There is a margin, where, like it or not, you’re going to be exposed through your work. (Which, I would like to take this time to point out that all of my friends died after I got back from tour in March 2022, thankyaverymuch!) But that doesn’t mean you have to be like “Oh, my YA characters are doing stupid crap I did as a teenager.” In public. You can be cryptic and be like “Yeah, I knew some kids who did stupid crap like that as teenagers.”

            Also, not every part of your life is for Instagram. Listen, and listen well, you do not owe anyone an explanation as to how your life. Unless they’re paying your bills. Which is why I specify on Patron that that money gets reinvested back into my career, my fridge, and this website, and on Kofi that I will be spending all funds on rum, unless I’m lying and I waste it on reinvesting in my career. I try to be transparent when people donate money to my cause. But outside of the bill they’re covering for me, I don’t tell them much.

            Any who, back to The Gram.

            You don’t have to post about where you’re going all dressed up like that. (I think my last dressy selfie was when I was headed to a classy event at my day job.)  You can literally just be like “Ayyo, lookit me. I’m hawt!” and people will be like “Rad!” You don’t have to post a pic of you and your besty getting ice cream at 3am, during a heart-to-heart, every time it happens. You can just go do that, and not tell anyone. You can even be hecking cryptic with your posts. For example, I announced I will be letting go of the last semblance of sanity I posses, and posted a picture of my prayer journal, where I suggested to Jesus Christ that He put Josh Groban in my life so we can get married. Am I okay? No. Will I be elaborating further? Absolutely not. Am I at least having fun? You bet your sweet bippy. Bro. If you wanted, you could just post a picture of you gnawing on a different tree every week and make the general public think you’ve finally made good on your promises to fade into the woods and become a crypted. Or, you know. You could just only post about your writing…

            As an aside, if you choose to take the cryptic crypted posting route, and you’re fairly active on social media, I firmly suggest you make a private account where your loved ones can see how you’re actually doing. Like, bro. There’s people who actually care about you. Let them in.

            One of my bigger concerns is trying to keep my day to day life out of my career. Sometimes employers get touchy about, you know, you asking for strangers on the internet to buy you rum. Before you get called into the office, make sure you can actually laugh, when HR shows you your own post. *Finger guns* This problem could be solved by taking on a pen name, and that way, H.M. Pugsley has no day job. If you choose not to take on a pen name, you don’t exactly have to turn over the name of every literary journal and blog you write for. Stay wild, moon child. Run free through the valleys of the glorious internet.

            You’re also allowed to say “I don’t want to work here anymore.” A couple of years ago, I had a job where the management made me so uncomfortable I buried all of my social media, which got in the way of trying to have a viable writing career. I think they were worried about me talking about the semi-legal things they were doing, online, to customers. Which, while I was looking into protections for whistle blowing employees, I wasn’t using social media to draw attention to them. I would’ve gone to the county courthouse, not the county Facebook page. I do highly recommend finding a new job before quitting the one you’d don’t like. However, Covid-19 made the whole situation a wash for me. Before “No one wants to work anymore” was a chant that ran wild through the streets, there were reports online about employers asking their employees for their social media passwords. Like everything else, you’re allowed to say “No. I sell you this part of my time. My personal life is mine.” or to your readership “No. I sell you these stories. My real life is mine.”

            Anyway, I know what I’m doing all the time, and I always get it right my first try. Definitely listen to me. There is no way to have your privacy without saying “No” and meaning it. There are gentle ways to redirect people, but at the end, at the bare bones of it, you have to be good at telling people “No”. Figure out which pieces of yourself you’d like to play close to your vest before you put yourself out there. You’re more than allowed to have a private life, but you have to be willing to be firm about it.

            Can’t get enough of this blog? Check out my Kindle Vella series, Take it From the Young Punk! Wanna make sure this blog stays free for everyone forever? Subscribe to my Patreon! (Following my Patreon is always free.) Trying to fuel my drinking habit? Naughty, naughty. I would never drop that link. Don’t forget to check out my three published novels from your local library while you’re at it!

Writing Is Just Show Biz For Shy People

The whole quote from Lee Childs goes “Writing is just show biz for shy people. That’s how I see it.” My man’s is right! Especially when it comes to publicity. Publicity is more like show biz than any other part of writing.

            For those of you who don’t know, I have a background in music I never shut up about. (Trumpet playing sopranos rarely do.) In recent years I’ve pulled back from it, severely. I talk about the why in other posts. Unimportant! But I do find it helpful to think of writing, like I do performing. In many ways, they are similar.

            First of all, musicians will rehearse, and rehearse, and rehearse, until they can perform in their sleep. I for one associate my trumpet with the taste of blood. That is akin to editing. You, as a writer, need to read your piece over, and over again until it is just so. It also helps to get several other people involved before you show your work to a broader audience. See where I’m going with this? *Wink, wink* *Nudge, nudge* Hire an editor!!! Let your friends beta read! Take criticism! It helps to hear “Helen, you’re a bit bright on the high notes, and you need to open the back of your jaw a little wider.”

            Another immortal quote: “If you practice like a fish, you wrestle like a fish.” That was from my 4th grade teacher, Mr. E, and it still rings in my head, even though I can’t remember what E stood for. He was a coach, and he meant “If you let people toss you around the mat like you’re a dead fish in practice, you’re going to get tossed around like a dead fish at tournaments.” I distinctly remember him applying that to our school work. So, the lesson here is: Give practices your all. I like to do silly little writing prompts when I haven’t been writing. I set a timer for five minutes and go ham. I’m bougie, so mine come from a nice book an elder in my community gave to me, to encourage me to keep writing, when I was just a wee lass. Having only five minutes to write with a prompt will also encourage you to quit editing while writing.

            Okay, seriously. Did ya’ll see me do that Wyoming Arts Council Funded Tour? Because I will not be doing it again. (Just kidding. I would love the opportunity, but I was using that as an expression.) Look, I need you to understand: I am so shy when I go to practice for praise team at church, I can barely ask which stand I can use. There’s no hiding on stage though. Even when you’re one of six people. There is no hiding when you’re trying to do publicity either! I’d say using the internet for advertising is probably one of my strong points as a published author, but with the time I took off work to do my tour, I learned that most of the people I interact with daily had no idea I wrote. In my defense, at what point in conversation would it have been appropriate to bring it up? *Cue nervous chuckle* Anyway, I also treat book signings like they’re performances. I get dressed up, I pull on a not-steal toed pair of boots, I stop thinking like an introvert and start thinking like a showman. I’ve got cool stuff to show you! The book signings where I also do presentations are particularly like that. I think of it like giving a tour (I grew up in a historic town. I can do tours!), but instead of a real place, I’m showing you Gishlan. Razzle dazzle, baby! (If you’d like to learn more about me and my touring check out chapter 15 of my Kindle Vella series.)

            If you want [what little] I have, you have to be willing to hustle. Travel, put your name out there, work with people, keep your finger to the pulse, put your work out there, make yourself available, join some clubs, network, be an active member of your community, and don’t forget your sparkle.

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I’m Bad at Talking About My Books Part 3: Tales From the Gishlan Wood

            Okay, this is literally the one that’s hardest to talk about. I also did these in order of publication. I’m definitely not chicken! What?!

            I wrote Tales from the Gishlan Wood when I was seventeen, under the advisement of my mentor June Wilson Read. It was a cute relationship. She had her “nest” behind my parent’s house, so she’d always have a way to come home to Wyoming, while splitting her time in North Carolina. I had been visiting since I was tiny, and she even kept board games and crayons for me. When I wrote my first book, War and Chess, I was excited to show my real life author friend what I had made. At fourteen I had already started querying publishers but, of course, I had no luck. (War and Chess was a mess, honestly, and being an author is a bigger responsibility than I could’ve ever imagined.) So June told me “Why don’t you write bios for your characters.” and ya know, as you do, a whole book of short stories fell out.

            Back then, at seventeen, I wanted to know everything I possibly could about the characters. And yeah. That meant writing more than a page about each of them. I sat in my room and pretended to interview them. Suddenly Haylend–*Ehem* King Haylend didn’t seem like such a villain, but “my sweet, misunderstood, villain, baby” You have “UwU” we had “Rawr XD” we are not the same. I learned Teacher P is a recovering alcoholic, I learned what became of Princess Amethyst, and where the blue fairy came from. I learned who Prince Quillpeck grew up to be, and I fell in love with the relationship he has with his wife. I even got to meet Amethyst’s grandchildren! And I loved every second of it. Thought you might too so I published it.

            Let me tell you, publishing was no small feat either! I published War and Chess at 20. It was then I decided I’d published one novel, once a year, until I keeled over. And then God laughed. I think I got the job done at 25, maybe 26? When you can drink legally, you stop caring, I promise.

            Anyway, my parents let me take a year off, [look for a job,] and write. So it was painstaking hours sitting in my father’s chair (I didn’t have a desk at this point), until my back screamed, editing a manuscript I hadn’t touched since I graduated high school. When I finally presented it to my former publishing house they asked me for eight books instead. “Make Tales a series!” they said. “Take it or leave it.” I said. They left it until our contract expired and I walked away. No hard feelings, just wasn’t the right fit.

            I bounced around for a while. That’s where I get all my really weird publishing house stories, which I’ll tell you if you buy me a beer sometime. *Cough* I mean root beer. I write for teenagers. I’m behaving! I had one publisher contact me through my work email, to see if I really worked for James Bond’s Library. Another had a printer in her basement, and part of the contract I was offered meant I’d have to buy 500 books from her. Yeah, all sorts of spice. What really drove me nuts, and made me hesitant to work with any of the more reputable publishers was their lack of enthusiasm for my book. I’d rather work with someone who could put my book in front of 500 people, and likes my work, than someone who could put it in front of 5,000 people, and is totally apathetic. I was holding out for just the right home for my books. I say it all the time “If you’re in Book World for money, get out.” Librarian, author, publisher. Nope. You have to be smart with money so you don’t live in a cardboard box, but at the end of it all, you really have to love what you’re trying to do for the world. I wanted a publishing house that felt the same way. In the time I was holding out, War and Chess fell out of print and the copyright reverted back to me. Suddenly I had two homeless books.

            Grant Smith and I had met at our old publisher. We liked each other’s work and bonded over it. Grant had his own publishing blues, and solved his problems by building his own publishing house, Drakarium Publishing. I’ll be honest, Grant had to wear me down. I was always “No, you just want these books because we’re friends!” but even his kids liked them. And I am so happy he wore me down. First of all, I absolutely love working with my friend! Second, I love how this press is a passion project of his. He is truly interested in bringing the world good books through Drakarium Publishing. And again, reverting to that subject that makes my skin crawl: money. Grant is much more interested in making sure books get into people’s hands than he is in making a quick buck. He actually had to talk me into lowering the price of War and Chess. You can thank Grant for it being $9.99. And in person, it’s nice to see people go “Oh, I can bring my kids two books they’ve never read before for the $20 in my hip pocket.” Seriously, Drakarium Publishing makes beautiful books, because they’re good books, and you can actually afford them. Go check them out on Goodreads. I know this sounds like an ad, but I’m honestly gushy over this.

            Because War and Chess and Tales From the Gishlan Wood now have a home, it frees me up to think about my other two books, To Craft a Nation and Rock at The Bottom Of The Sea. Both are already written, and you can check up on their progress here.

            So yeah, Tales was a passion project, published by a passionate house, so you should buy it passionately. See it on Amazon, or get your signed copy on my Etsy shop.

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You Are A Writer. Act Like It.

            I just watched Row vs. Wade get overturned in the supreme court. This means states have the right to choose to legalize, or ban abortion individually. I started my day off listening to how open carry applies to all states. This is a time of great change, and we are all terrified. There’s been a lot of talk online about “Today we grieve, tomorrow we stand and fight.” But not all of us want to go and stand on a street corner holding a sign, and we know if you have two brain cells, you’re not going to storm the capitol. So I offer you this: You’re a writer. Act like it.

            Yeah. You. Following this blog. Your words can inspire change. People listen to you because you can string entire sentences together in a semi-intelligible format. Your community respects you as a creative because you’ve published work. (Traditional press to Wattpad, it doesn’t matter.) I was floored the first time someone quoted one of my infamous pro-hemp rants on social media. You have power, you have a voice, you have the resources.

            This is not the time to think about throwing bricks. This is the time to start writing letters, gathering information, educating yourself, and time to build arguments that can actually hold water. This is the time you need to look around and say “How can I help my neighbor?” This is your time to crawl out of the woodwork and make your voice heard.

            If you follow me on social media you’ve seen me holding up pride flags. One of my young mentees had rocks thrown at him for wearing a pride shirt. I’m done being quiet. You’ve seen me repost pro-choice rhetoric. I am here because one of my ancestors chose not to have an abortion. I want to make sure my grandchildren have a choice. I hate talking about the deaths of children in any capacity, but my silence is compliance if I don’t speak up. And yes, I feel we could be replacing many paper products with [THC free] hemp. I’m Christian, but every day I watch groups of Christians, much louder than I am, jam popular culture with hateful messages. Being silent in my love for my brother [sister, or sibling] was not how I was taught to be a Christian. I want the LGBT+ population to be safe, because those are my neighbors; I want people who can become pregnant to have choice because God gave me free will first; I want renewable goods, because I was taught that being a Christian meant being a steward of the earth. And yeah, I’m a Wyoming girl. I rather like guns. God put mountain lions in my home town. My mother chased a black bear off her front porch a week or two ago, using only the power of her “mom voice”, and I would’ve been much more comfortable with that situation if she had grabbed a gun first.

            We can’t all wield the raw power my mother has, so some of us write. Alone you are just one voice. Together, we are many. Today I helped put stickers on a newsletter with a group of children. They were fascinated by how the pile of papers raised where the sticker was placed, and couldn’t believe that something less than a centimeter wide could cause a hill in a stack of freshly printed paper. You are an important contribution. I, by no means, mean to tell you what to think. I’m only telling you to write. You’re a writer. Act like it. Stand up for what you believe in. Also, if you are an American, you need to vote.

“I Just Made a Book…Now What?”

Folks frequently say to me “Holy crap. Helen! I just finished my first book!… Now I am lost. What do I do next?” And yeah, it’s a terrifying, beautiful moment, the first time you see your paper baby whole and intact. So let’s take it from the first rough draft. You just put an ending on this bad boy.

            Step One: Rip it open yourself. And what I mean by putting that violent image in your head is, edit it. Shut your back page, and start over on the title page. You need to read it through at least once, and then go back and edit your book, after you’ve read it for the first time in its entirety. Repeat the editing phase “until it’s done.” this may take a few months to a few years.

            Step Two: Bring others in on it. This is the part where you show it to your best friend, a beta reader, find a sensitivity reader, find an editor, etc. Let’s go through these roles and what they should be doing [to my understanding.]

            Best friend: Gives support. Tells you the truth about your story even when it doesn’t please you. Provides you with encouragement.

            Beta reader: I learned the hard way, you should probably let them see it before an editor. Which, make sure they’re cool with it not being super-polished yet. You’re going to have bad grammar still. They, like your best friend, read it and give you feedback, but with more detail.

            Sensitivity reader: Makes sure you didn’t accidently write something racist, sexist, homo/transphobic, ablest, etc. It’s usually like, you wrote someone in a wheelchair, so you get your friend who uses a wheelchair, to give their opinion about how you portrayed that character in a wheelchair. Sometimes you don’t need one, but it’s still nice to think about. No one wants to accidently perpetuate harmful stereotypes. It’s easier to change your manuscript in order to change society, than to ask society to change so you can write that.

            Editor: Makes sure you don’t look like an idiot in public. However, you need to figure out if you need a content editor (edits your content. Makes sure your characters eyes are blue on all of the pages, not just blue on page three, and brown on page six.), or if you need a line editor (edits the way you wrote things. I.e. “Helen, no one speaks red-neck this fluently. Complete sentences, please.”) You need an editor. I don’t care if you are an editor. I don’t care if you’re the grand-master English professor! (I don’t know how academia works! There’s definitely one English professor to rule them all! I’m sure!)  I don’t care if you’ve written 70 books! You need an editor. And you need an editor that has the same mother tongue as the language you wrote the book in. It helps if you can find someone local so they speak with the same regional dialect as you. *nods at non-American followers* You cannot read your own manuscript, and get it polished to the point it needs to be polished. You will always know what you meant, and what you actually wanted to say will never appear on the page without help. Editors take all the ugly out of your baby books. These editors are also different than the editors of a press.

            Step three: Decide if you’re traditionally publishing or self-publishing. I could write an entire blog post on comparing the two alone. In fact, I’ve wrote myself a sticky note that says I need to now. The two sects of the industry are very different, and are going to have very different effects on your book. Here are some comments I’ve written on that in the past (1), (2), (3).

            Step four if you traditionally publish: Look for an agent. This is the site CJ Box recommended during a book signing. An agent is someone who will find publishing houses that might like your book. They cost 20% of your royalties. Since my last royalty check was $8.53, they’re kinda hard to convince to work with you.

            Step four point five if you traditionally publish and give up on finding an agent: Go find a tiny publishing house. This publishing house will be ran by a max of five people but they’ll all be super enthusiastic about it! Which is fun! You get to work with people who love art more than money… But also money! This may be your best option if you’re trying to get your debut novel published. Try out this website. It’s how I found Ink Smith. Submittable has an awesome website for finding places to submit work to in recent years. If you’ve written a fantasy novel, let me save you some time: Go talk to Grant Smith at Drakarium Publishing.

            Step four if you decide to self publish: Line up your freelancers. Go find your cover artist, figure out if you want or need a social media manager, get a formatter, pick which platform and where you’re going to self publish on. (Pst… Jennapiper does cover art, editing, and formatting!)

            Step five if you traditionally publish: Get that contract in your hot little hand. Theydies and gentlefolk, this has never failed me. For my country girls out there: Getting the contract is like getting the ring before you give him the baby. Don’t give your baby up without the binding vows, my dudes.
            The reason I say this has never failed me was because the first time I got one of my books under contract, they had two years before the book was forfeit and the contract was void. The publishing house came up with this themselves! I got impatient and held them to that. If you have no enthusiasm for my work now, what’s it going to be like once you produce it? The second time I waited months for a contract, but it sounds like the press went belly up in covid. Heart breaking! Nice folks! Third time was the charm, and the publisher’s editor completely understood my rigidity in wanting a contract once I explained my past experiences.

            Contracts also help keep you from a lotta damn hurt feelings in business. Both parties know what to expect from each other, and then you have it, in writing, what is expected from the both of you. You get to make sure you’re doing right, they get to make sure they’re doing right. There’s no room for “But you said…” “But Steve told me…” No. That’s it. So it is written, so it shall be done.

            Step six if you traditionally publish: Decide, with your publisher, which freelancers you need. You are traditionally published. You are now working on a team. Your book is now a collaboration. The people at the publishing house do not work for you, they work with you. If you pay them [for anything aside from copies of your books], you are not traditionally publishing, you are being scammed.

            By the time I came on to Drakarium Publishing, I came with my own editor, my own cover artist, and I learned to do my own marketing. However, I still got Poor Richard and Grant to chat and approve the cover art. Grant and I were both over the moon with what Richard brought to the table. Because my favorite Richard wasn’t able to do the text, Drakarium Publishing hired another graphic design team to do all of the text on the cover. That being the title, my name, the back of the book, and suchlike. Because I didn’t find a formatter Drakarium Publishing did! It’s all about teamwork, and you need to communicate with the team. Yes, if you are self publishing and reading this paragraph anyway, you will be making all these calls yourself.

            Step five if you decide to self publish: Mash the go button and be stressed. It is time to pray and chain smoke. Hopefully, [the publishing outlet of your choice] will accept your cover, and you’ll have measured the dimensions right, and they don’t find too many type-os, and they’ll actually produce your book. For me it was Amazon.

            Step seven if you decide to traditionally publish: Mash the go button and be stressed. Buy yourself a cigar. That way your system will be too flooded with tobacco to actually function properly. At least you’ll have a small publishing house filled with people feeling the exact same thing.

            Final step for either: Oh sweet Mary Mother of God, we did it. Get with your people and celebrate like you just put a dude on the moon, burn your cigarettes so you don’t raise your insurance, collapse in a heap for 12-24 hours.

            Bamboozled again! Now you actually have to sell copies. That is a whole other blog post. The journey with publishing a book doesn’t end with it actually getting published. Unfortunately. There is no rest for the wicked. Now the real hard part begins. Get out there and be proud of all the work you’ve done!

            A ton of people have asked me about publishing children’s books.  I have both traditionally published books, and self-published through Amazon. I am a fantasy writer who favors YA, although I have written and published outside of my genre. I’ve reviewed tons of children’s [picture] books but I’ve never published one, and unfortunately, I think children’s books authors need to find someone more authoritative than me on that subject. I do recommend traditionally publishing your children’s book, however. Children’s picture books are possibly the hardest genre to get published in because the vetting is so intense. I feel in order to create a successful children’s book, you do need the manuscript to go through that vetting. Self-publishing will not do that for you.

            You may not write similar books, and thus will have a different experience. For example: I have no idea what the romance novel market is doing, because most days I’d rather dig my eyeballs out with a rusty spoon, than read perfectly lovely books I’d never shame others for enjoying. Go ask my ex, I am a cold, dead, fish.

            Make sure your book isn’t anywhere on the internet for free. Many places consider that “published” because no one is going to buy something they can get for free. If you hope to traditionally publish, they need to be able to turn a profit from your book. We’re running out of rich hobbyists, people!

            That’s pretty much what happens after you make an entire book, and actually want to show it to other people. I double dog dare you to go forth and learn much more than me, then come back and rub it in my face so I can learn from you.

Write. You’ll Feel Better.

            I have been in the midst of a weird dry spell, and I don’t know how long it’s been, but it’s not quite letting up. I call it “writer’s block”, but instead of not knowing where to take whatever story I’m working on next, I just don’t have the motivation to write. And that’s scary. I can’t remember feeling this way, ever.

            It’s complete apathy! I’ve been writing since I was four. I don’t not write. I remember hearing about girls who the Taliban would kidnap and torment because they were literate, as a kid. I wrote for them too, because they couldn’t. I started collecting old books–each over 100 years old, as a teenager, and I remember how angry I felt when I realize how few were A) Written by women, and B) Written by women under a masculine pen name. I wrote for them too because they couldn’t get published. I chose to be “Helen M. Pugsley” because I was going to use a feminine name, by thunder! Now I’ve lost my Your Quote streak, I’ve got a pile of sticky notes holding ideas for future blog posts under the calculator on my desk, I’ve got submission calls rotting away in my inbox, and a notebook full of loosey goosey poetry, because I don’t feel like doing anything but
Calling
This
Steam of
Consciousness
Poetry.

It sickens me.

            And you know what else? I tried writing the next book of the Gishlan series one day in The Night Heron but I completely forgot I write in first person POV, and wrote the first pages in third person, omnipotent! I was so ticked off! However, even when you feel like me, you gotta keep going.

            I read a decent bit of advice on Instagram, about writing. “If you don’t use a facet for a while it’s going to spit out a bit of muck when you first turn it on.” I’ve stayed in so many out-of-the-way places I now have this quirky habit of letting a facet run for a minutes before I use it in a new place! As far as I can tell, the person who said that is completely right.

            Bruh, make yourself write. Write absolute crap! Write some silly fan fic about your OC and Captain Jack Sparrow smooching on the back of a whale! Throw it up on Wattpad so people can laugh with you!

Write the
Bad
Poetry
That
Reads
Like
This.

Write because you can’t make yourself care about writing anymore! Write Tik Tok scripts because you’re camera shy! Add adjectives to your grocery list because you can! Write the first pages of your friend’s thesis and then email it to them to make them mad! (Hehehe, I don’t recommend that, actually.) Write from the weird prompt book someone gave you for Christmas 20 years ago! Just write! Shake the dust off!

            And I think I can promise you, once you do you’ll feel a lot better than apathetic. You’ll have that bliss that comes with making something, even if it is an ugly bastard. You literally don’t have to show it to anyone. Chill. Write, simply because you can! Make some weird crap because no one can stop you. And just think of how proud your ancestors who never learned to write, because they were farmers and they didn’t need to, would be of you! Write because the cat keeps yelling at you to take him for a walk, but fuzz butt doesn’t run your life! He can wait! (Seriously, he wants to go get the mail with me and I am in my pajamas.) Write because you are an unstoppable force of sheer chaos and nobody owns you! Just write, and make yourself feel better.

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