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*Honks on party horn!* Happy Valentine’s Day! And happy birth-month to yours truly! Let’s talk about love, lust and paradise. By this point all the candy hearts and pink are probably about to drive you crazy.
If you’re in a relationship you’re probably like “Oh. This is the month where we pretend everything is fine, requires no effort, we’re just going to flaunt each other to our friends and HOLY POOP ON A STICK WHY IS AN IPHONE A VALENTINE’S DAY PRESENT NOW?!” And if you’re not… Well… I’ll just leave you where you are in fetal position wrapped around an empty box of chocolates. Yeah, I see you, boo.
So what does our respective relationship statuses have to do with our writing this month? It’s the pressure of having romance rubbed in your face at every turn! You’re thinking about romance and it’s seeping into your writing. Is your main character (MC) a strong independent person who don’t need no other half? Oh. Wait. Now they’ve found their perfect foil and receive g’luck kisses before they march off to the war. Oof.
Your inherit, perfectly valid, universal, need to be loved is seeping into your writing. Search your feelings. You know it to be true. [Excluding romance writers] don’t let your main character’s love life completely derail the plot.
Once upon a time I was reading this really kick buns young adult (YA) novel where the female MC was like “Oh gosh! We have to save both of my parents from the bad guy or else I’m going to be an orphan! I already grew up in that classic Disney situation where I was raised by my father!”
And her boyfriend said “What are we?”
“What are we?”
Then he huffed off to be angsty elsewhere while she tried to plot how to save her relationship rather than her parents. Meanwhile, I felt like I was standing there going “Um, my dude, aren’t your parents about to be sacrificed hideously before a pagan alter or something?”
Because he went to be angsty down a dark alley she had to save his buns too. You know. Just before her parents. Who were on a tight schedule. To die. Probably before her boyfriend. Because, teenage girls in fantasy novels don’t understand task management, apparently…
Anyhow, as a reader, I found it terribly unsatisfying. The author completely derailed the plot for romance. I felt like they could have had that fight just after they attempted to save the parents. You know. The main plot of the book? Or even while dangling above a pool of sharks! Because they had a wee set back on the way to victory.
What I’m trying to spit out is, don’t follow a sub-plot because you’re emotional about your relationship status. (Unless of course, you’re a romance writer and that is your plot. Then you follow that plot, son of Eros!) Romance is great. But it’s a lot like ranch dressing. It enhances the flavor. No one wants to drink ranch dressing [even though every Midwesterner has tried it at least once]. Don’t let it get away from you now or you’ll have to restructure in editing.
Tune in next month for “Submit Your Work Even If You Don’t Feel Lucky”